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| Six
Trait Writing 4-Point Rubric |
| Score
|
Ideas and Content |
| 4
|
The writing is clear
and focused. It holds the reader's attention. Main ideas
are developed by supporting details suitable to audience
and purpose. The writer does most or all of the following:
•
clearly addresses topic, purpose (mode), and audience;
• provides thorough, balanced,
relevant support of topic;
• provides strong, credible support (details, or examples,
and/or fact) using appropriate resources;
• selects details/ideas which go beyond the obvious
or predictable; shares insights.
|
| 3
|
The writing
is mostly focused, and the reader can easily understand
the main idea. Support is present although it may be too
general. The writer does most or all of the following:
• generally
addresses the topic, purpose (mode), and audience;
• provides support which at
times may be too general or out of balance with the main
idea;
• generally provides credible
support ( details, and/or examples, facts); may use appropriate
resources;
• expresses mostly predictable
details/ideas; may occasionally share insights.
|
| 2
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The ideas are somewhat
unclear or the attempted development is minimal, too simple,
irrelevant, or incomplete. The writer does most or all of
the following:
• attempts
to address the topic, purpose (mode), and audience;
• attempts support but may be
limited or irrelevant;
• provides evidence which is
not supported by credible resources;
• limits details/ideas to the
predictable.
|
| 1
|
The ideas are unclear,
inconsistent, and/or lack a central theme and/or purpose.
The writer does most or all of the following:
• shows
little attempt to address the topic, purpose (mode), or
audience;
• includes little or no support;
• expresses only simplistic
or random ideas.
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| Score
|
Organization
|
| 4
|
The organization
enhances the central ideas; the sequence and structure are
strong and move the reader through the text. The writer
does most or all of the following:
•
selects an organizational structure that advances the
purpose (mode) and is appropriate for the audience;
• constructs an inviting introduction/opening
and a satisfying conclusion;
• selects effective transitions which clearly show
how ideas connect among all elements (sentences and paragraphs);
• employs well-controlled, purposeful
pacing.
|
| 3
|
The organization
is generally clear and logical; a structure is present but
may be predictable. The writer does most or all of the following:
• uses
an organizational structure that fits the purpose (mode)
and audience;
• develops a recognizable beginning that may not be
particularly inviting and/or a conclusion that may lack
insight or overview;
• provides adequate transitions
which serve to connect ideas but may be stilted or formulaic;
• pacing is fairly well controlled,
but at times the writer may speed up or slow down without
a sense of purpose.
|
| 2
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The writer has made
an attempt to organize the text, but the overall structure
may be inconsistent. The writer does most or all of the
following:
• uses
a structure that is not always consistent with the purpose
(mode) and/or audience;
• writes a beginning and/or
conclusion which is undeveloped or too obvious;
• provides weak, overused, or
ineffective transitions;
• demonstrates little knowledge
of pacing; all parts of the text seem equally important.
|
| 1
|
The writing lacks
organizational structure and may be haphazard and/or disjointed.
The writer does most or all of the following:
• uses
a structure that is not appropriate for purpose (mode)
and/or audience;
• provides no apparent beginning and/or conclusion;
• provides transitions that
are poorly chosen or fails to provide transitions;
• demonstrates no knowledge
of pacing.
|
|
Score
|
Voice
|
| 4
|
The writer has chosen
a voice appropriate for the topic, purpose, and audience.
The writer demonstrates commitment to the topic, purpose,
and audience. There is a clear sense of "writing to be read."
The writer does most or all of the following:
• creates
a strong interaction with the reader. There is a sense
of a person and a purpose behind the words;
• demonstrates a strong audience
awareness which communicates the message effectively,
and an appropriate voice or tone is consistently employed;
• brings the topic to life;
when appropriate, the writing may show originality, liveliness,
honesty, conviction, excitement, humor, or suspense; may
share insights.
|
| 3
|
The writer's
voice is present. The writer seems committed to the topic,
and there may be a sense of "writing to be read." The writer
does most or all of the following:
• interacts
with the reader; at times there is a sense of a person
and purpose behind the words;
• demonstrates a sense of audience
and seems to be aware of the reader, but may not consistently
employ an appropriate tone or voice;
• may employ liveliness, sincerity,
or humor when appropriate; at times, the writing may be
either too casual, personal, formal, or stiff.
|
| 2
|
The writer's voice
may emerge at times. The writer's commitment to the topic
seems inconsistent, and there is little sense of "writing
to be read." The writer does most or all of the following:
• seldom
provides a sense of interaction between reader and writer;
there is little sense of the person and purpose behind
the words;
• demonstrates a limited sense
of audience or fails to use an appropriate tone or voice;
• uses a voice that is likely
to be overly informal and personal or too impersonal and
flat.
|
| 1
|
The writer's voice
provides little, if any, sense of involvement or commitment,
and there is no sense of "writing to be read." The writer
does most or all of the following:
• shows
no sense of interaction between reader and writer; it
is hard to sense the person and purpose behind the words;
• demonstrates no audience awareness;
• uses a voice that is consistently
flat, lifeless, and impersonal.
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|
Score
|
Word Choice
|
| 4
|
Words convey the
intended message in an interesting, precise, and natural
way appropriate to audience and purpose. The writer does
most or all of the following:
• chooses
specific, accurate language which seems natural; uses
ordinary words in an unusual way;
• chooses fresh, lively, vivid
expressions;
• includes the purposeful, effective
selection of figurative language and/or slang.
|
| 3
|
The variety
of words employed is functional and appropriate to audience
and purpose. The writer does most or all of the following:
• mainly
uses familiar words or phrases; may occasionally employ
ordinary words in an unusual way;
• attempts to use fresh, vivid
expressions although they may be ineffective and/or cliched;
• attempts to use figurative
language which may occasionally seem overdone or ineffective.
|
| 2
|
Language is predictable,
ordinary, and/or imprecise, and at times may not be appropriate
for intended audience and/or purpose. The writer does most
or all of the following:
• uses
words that are colorless, flat, or imprecise, e.g. fun,
thing, a lot, nice; language may be repetitious or misused;
• relies on predictable vocabulary;
• uses little figurative language;
images, if present, are fuzzy.
|
| 1
|
Language is limited,
monotonous, and/or misused; only the most general kind of
message is communicated. The writer does most or all of
the following:
• uses
an extremely limited range of words;
• relies upon words that do
not fit the text; they may be imprecise, inadequate, or
just plain wrong;
• makes no attempt to use figurative
language; uses general, vague words that fail to communicate.
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Score
|
Sentence Fluency
|
| 4
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Sentences are well
built, with strong and varied structures that invite oral
reading. The writer does most or all of the following:
• shows
stylistic control; dialogue and fragments, if used, sound
natural;
• utilizes appropriate cadence
for the genre/mode;
• varies the sentence structure,
length, and beginnings to strengthen the meaning of the
text and draw attention to key ideas.
|
| 3
|
The text
flows; sentence patterns are somewhat varied and contribute
to the ease of reading aloud. The writer does most or all
of the following:
• shows
occasional lapses in stylistic control; dialogue, if used,
may sometimes sound stilted;
• moves the reader easily through
the text, though perhaps without rhythm or grace;
• varies patterns of sentence
structure, length, and beginnings; sentences are functional
but may sometimes lack energy.
|
| 2
|
The sentence structure
tends to be mechanical rather than fluid; occasional awkward
constructions may force the reader to slow down or reread.
The writer does most or all of the following:
• shows
little awareness of stylistic control; dialogue does not
sound natural; run-ons and/or fragments may impede readability;
• forces the reader to reread
in place in order to make sense of the writing;
• uses limited variety in sentence
structure, length, and beginnings but may fall into repetitious
patterns; structures may sometimes cause reader to hunt
for meaning.
|
| 1
|
The writing is difficult
to follow or read aloud; sentences tend to be incomplete,
run-on, or awkward. The writer does most or all of the following:
• shows
no awareness of stylistic control; confusing word order
is often jarring and/or irregular;
• requires the reader to reread
several times in order to make sense of the writing;
• uses little or no variety
in sentence structure, length, and beginnings; sentence
structure may obscure meaning.
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Score
|
Conventions
|
| 4
|
The writing demonstrates
strong control of standard writing conventions and uses
them effectively to enhance communication. Errors are so
few and minor that the reader can easily skim right over
them unless specifically searching for them. Little editing
is needed. The writer does most or all of the following:
•
selects effective punctuation that guides the reader through
the text;
• uses correct spelling, even
of more difficult words;
• uses capitalization that is
correct;
• consistently plans paragraph
breaks that reinforce organization and meaning;
• writes with correct grammar
and usage that contribute to clarity and style.
|
| 3
|
The writing
demonstrates reasonable control of standard writing conventions.
There may be a few errors, but they do not impede readability.
Some editing is needed. The writer does most or all of the
following:
• utilizes
correct end-of-sentence punctuation; internal punctuation
may be incorrect;
• uses spelling that is usually
correct, especially of common words;
• uses basic capitalization
that is correct (e.g., proper nouns, beginnings of sentences,
"I")
• employs paragraph breaks that,
in general, reinforce the organizational structure;
• makes occasional errors in
grammar and usage; problems are not severe enough to distort
meaning or cause confusion.
|
| 2
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The writing demonstrates
limited control of standard writing conventions. Errors
begin to impede readability. Significant editing is needed.
The writer does most or all of the following:
• makes
many end-of-sentence punctuation errors; internal punctuation
contains frequent errors;
• makes spelling errors that
distract the reader; misspells common words;
• capitalizes inconsistently and often incorrectly;
• runs paragraphs together or
inserts paragraph breaks ineffectively;
• makes errors in grammar and
usage that interfere with readability and meaning.
|
| 1
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The writing demonstrates
little or no control of standard writing conventions. The
severity and frequency of errors are so overwhelming that
the reader finds it difficult to focus on the message and
must reread for meaning. Extensive editing is needed. The
writer does most or all of the following:
• uses
haphazard or incorrect punctuation, or punctuation is
omitted;
• makes frequent spelling errors
that significantly impair readability;
• uses capitalization which
appears to be random;
• inserts paragraph breaks that
may be highly irregular or so frequent (every sentence)
that they bear no relation to the organization of text;
• makes errors in grammar and
usage that block the meaning and/or distract from the
piece of writing.
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Adapted from the work of Vancouver Public Schools and Nikki
Elliot-Schuman
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